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German-Czech meetings in books written by Martin Becker and Jaroslav Rudiš
Mrázková, Tereza ; Glosíková, Viera (advisor) ; Bučková, Tamara (referee)
TITLE: German-Czech meetings in books written by Martin Becker and Jaroslav Rudiš SUMMARY: The subject of this thesis is the analysis of the collective literary output of the two young authors - German writer Martin Becker and his Czech friend Jaroslav Rudiš. A part of my thesis concerns also with their lives and their works. The object is to find Czech motives in the work and life of Martin Becker and influence of German culture on the books of Jaroslav Rudiš, to concern on typical characteristics and analysis of their collective works. In my thesis I arrive at the conclusion that the Czech stay, interest in Czech language and literature reflect in works of Becker, in the similar way are books of Rudiš influenced by his interest in German authors, art, history, German language and other. In collective work are these moments interwoven and supplemented. KEYWORDS: Martin Becker, Jaroslav Rudiš, radio play, operetta, story, collective work, novel
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German-Czech meetings in books written by Martin Becker and Jaroslav Rudiš
Mrázková, Tereza ; Glosíková, Viera (advisor) ; Bučková, Tamara (referee)
The subject of this thesis is the analysis of the collective literary output of the two young authors - German writer Martin Becker and his Czech friend Jaroslav Rudiš. A part of my thesis concerns also with their lives and own works. The object is to find Czech motives in the work and life of Martin Becker and influence of German culture on the books of Jaroslav Rudiš, to concern on typical characteristics and analysis of their collective works. In my thesis I arrive at the conclusion that the Czech stay, interest in Czech language and literature reflect in works of Becker, in the similar way are books of Rudiš influenced by his interest in German authors, art, history, German language and other. In collective work are these moments interwoven and supplemented.
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„A Tragedy Turned Upside Down”: Amateur Operetta ant Its Place in Folk Entertainment
Čadková, Daniela
Organizing amateur parodical operettas or musical farces was a regular part of social entertainment, special evenings, amateur performances and carnivals and New Year’s Eve parties in the second of half of the 19th century. We use the example of the Edip král (parody of Sophocles Oedipus Rex) to demonstrate the popularity of this genre including its specific traits, scenographic practices and parodical processes.
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Operetta "Polská krev" by Oskar Nedbal in Historical Context
Petrdlík, Jiří ; Gabrielová, Jarmila (advisor) ; Douša, Eduard (referee) ; Kopecký, Jiří (referee)
Oskar Nedbal patří mezi nejvýznamnější české hudební osobnosti konce 19. a počátku 20. století. Jeho přínos lze spatřovat nejen v oblasti interpretačního umění a hudebně organizačního úsilí, ale rovněž na poli skladatelském, především díky operetě Polská krev (Polenblut). Disertační práce se kromě nezbytného přehledu pramenů a literatury a nástinu života a díla Oskara Nedbala soustředí na otázku postavení operety Polská krev jak v rámci skladatelovy ostatní tvorby, tak i v širším kontextu vídeňské operety. Zároveň přináší doposud nepublikované informace o nedbalianech z depozitáře divadelního oddělení Národního muzea v Terezíně a ve světle průzkumu těchto pramenů se pokouší definovat základní atributy Nedbalova způsobu práce při kompozici operety Polská krev i dalších významných děl. Nedbalova vrcholná operetní tvorba je ukázkovým příkladem populární hudby vysoké umělecké úrovně, ve které se odráží skladatelův vysoce seriózní kompoziční přístup. Zejména opereta Polská krev dokumentuje Nedbalův záměr klást na tento žánr vyšší umělecký nárok, než jaký byl běžný zejména ve Vídni počátkem 20. století. Abstract: Oskar Nedbal is one of the most important Czech music personalities of the end of 19th and the beginning of 20th century. His contribution can be seen not only in the fields of interpretive art...
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German-Czech meetings in books written by Martin Becker and Jaroslav Rudiš
Mrázková, Tereza ; Glosíková, Viera (advisor) ; Bučková, Tamara (referee)
TITLE: German-Czech meetings in books written by Martin Becker and Jaroslav Rudiš SUMMARY: The subject of this thesis is the analysis of the collective literary output of the two young authors - German writer Martin Becker and his Czech friend Jaroslav Rudiš. A part of my thesis concerns also with their lives and their works. The object is to find Czech motives in the work and life of Martin Becker and influence of German culture on the books of Jaroslav Rudiš, to concern on typical characteristics and analysis of their collective works. In my thesis I arrive at the conclusion that the Czech stay, interest in Czech language and literature reflect in works of Becker, in the similar way are books of Rudiš influenced by his interest in German authors, art, history, German language and other. In collective work are these moments interwoven and supplemented. KEYWORDS: Martin Becker, Jaroslav Rudiš, radio play, operetta, story, collective work, novel
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German-Czech meetings in books written by Martin Becker and Jaroslav Rudiš
Mrázková, Tereza ; Glosíková, Viera (advisor) ; Bučková, Tamara (referee)
The subject of this thesis is the analysis of the collective literary output of the two young authors - German writer Martin Becker and his Czech friend Jaroslav Rudiš. A part of my thesis concerns also with their lives and own works. The object is to find Czech motives in the work and life of Martin Becker and influence of German culture on the books of Jaroslav Rudiš, to concern on typical characteristics and analysis of their collective works. In my thesis I arrive at the conclusion that the Czech stay, interest in Czech language and literature reflect in works of Becker, in the similar way are books of Rudiš influenced by his interest in German authors, art, history, German language and other. In collective work are these moments interwoven and supplemented.
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